Dhadak2
Dhadak 2 Review: Strong Performances, Weak Storytelling in a Socially Relevant Drama
Intro: Dhadak 2 (2025), directed by Shazia Iqbal and produced by Dharma Productions, Zee Studios, and Cloud 9 Pictures, is a spiritual sequel to Dhadak (2018) and a remake of the acclaimed Tamil film Pariyerum Perumal. Starring Siddhant Chaturvedi and Triptii Dimri, the film explores love, caste, and societal barriers. Shot in Bhopal and now streaming on Netflix, it attempts to combine social commentary with mainstream storytelling, though the results remain mixed.
90-Word Review: I hadn’t seen Dhadak but having watched Sairaat, I expected Dhadak 2 to carry that intensity. The movie opens with Saurabh Sachdeva in a striking scene, and the first half is engaging. Siddhant Chaturvedi surprises with a strong performance (first-half), supported well by Vipin Kumar Sharma and Anubha Fatehpura. Yet post-interval, the film loses its grip—repetition sets in, the narrative stays flat, and even the music disappoints, unlike Sairaat’s memorable tracks. While caste-based themes and Bhopal’s fresh backdrop add weight, the storytelling feels uneven and short of its full potential.
Detailed Review: Dhadak 2 is a film that wears its social message with sincerity but stumbles in execution. As someone who watched Sairaat and not Dhadak, my expectation was an intense, layered narrative. The opening scene with Saurabh Sachdeva sets the tone, and his performance is impactful. Siddhant Chaturvedi, to my surprise, delivers a heartfelt portrayal, ably supported by Vipin Kumar Sharma and Anubha Fatehpura as his parents. The first half is watchable, with glimpses of emotional depth.
However, after the interval, the film plateaus. Instead of intensifying, the narrative remains static. The runtime feels stretched, and multiple powerful themes—caste oppression, systemic injustice, and personal resilience—don’t build to their full dramatic potential. The dog scene stands out, mirroring the protagonist’s struggles, but such moments are rare. Music, crucial in a romantic drama, disappoints. Sairaat’s haunting tracks still echo, but Dhadak 2’s soundtrack leaves little impact.
What works is the subject itself—the film addressing caste-based realities Bollywood often sidesteps. Shot in Bhopal, the setting adds freshness, steering away from the usual metro backdrops. The climax is different than usual, though the resolution feels somewhat too neat to be true.
Overall, Dhadak 2 has its heart in the right place. It carries a necessary message and delivers strong performances, but its uneven storytelling prevents it from being the hard-hitting, unapologetic drama it could have been. Worth a watch for its intent and performances, but expect missed opportunities along the way.
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